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Monday, October 11, 2004 - Page updated at 10:34 A.M. Washington in Watercolor: Grandeur of the Gorge Story and paintings by Paul Schmid
The gorge is a spectacular river canyon cutting the only sea-level route through the Cascade Mountain Range and serving as part of the border between Washington and Oregon. Only 80 miles long and up to 4,000 feet deep in places, it makes a sudden and astounding transition from Western to Eastern Washington. The abrupt diversity of its shores joins with the diversity of roles played by the Columbia River itself. You'll find opportunities for outdoor recreation side-by-side with hydroelectric dams, while ospreys and railroad tracks coexist. And you'll find echoes of the ancient peoples who once lived in the gorge through pictographs along with graffiti from a few of the areas current 72,000 inhabitants.
The Columbia Gorge Interpretive Center Museum in Stevenson explores many of those roles. Visual displays highlight the area's history, ecology and industry. Worth a stop is the Maryhill Museum of Art, a world-class facility and unexpected gem perched on a cliff over the river. Included in its collection are beautiful watercolors by French sculptor Auguste Rodin.
After a satisfying day painting, I camped at Horsethief Lake State Park, once the site of a Native American village and camp for Lewis and Clark. It boasts a wonderful collection of pictographs.
A late-night freight train chugged its cargo west with the river and I climbed back into my tent. Paul Schmid: 206-464-2169 or pschmid@seattletimes.com
This is the 10th in a yearlong series of watercolors by Seattle Times staff artist Paul Schmid. The artwork, depicting scenes from Washington state, runs the second Sunday of each month in Travel. If you would like a reprint for personal use, contact the Resale Department at 206-464-3113 or resale@seattletimes.com. The images are reproduced on 13-by-19-inch watercolor paper and are suitable for framing. To see these and previous watercolors online, go to www.seattletimes.com/travel
Copyright © 2004 The Seattle Times Company
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