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Originally published December 27, 2009 at 12:04 AM | Page modified December 27, 2009 at 7:00 PM

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Seattle Times Pictures of the Year 2009

These are some fine images from 2009 by the photographers who work at The Seattle Times.

The Seattle Times Year in Pictures

Join The Seattle Times photojournalists in an evening of conversation about capturing the moments of 2009; 7 p.m., Thursday, Jan. 14, in the Microsoft Auditorium at the Seattle Central Library.

Reprints of these Best of 2009 photos are available for purchase, digitally reproduced on archive-quality paper. To order visit http://seattletimes.nwsource.com/photography/buying/

2009 | A Look Back

Pictures of the year

Seattle Times photo editors have chosen their favorite images of 2009.

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INFORMATION WANTS to be free, they say. The cost of making pictures is falling, falling, falling. All you need is a cellphone and you can be Johnny-on-the-spot. This is the new age of the accidental journalist.

Meanwhile, the pros are still here. And the passion that inspires them to pick up the camera every day lives. The defining characteristic of photojournalists is that they are driven. And if cameras and lenses are cheaper and better than ever, and film and darkrooms and paper are no longer necessary, the technical barriers to following the muse disappear. It's never been easier and it's never been harder to make good pictures.

In the daily rush of millions of images that fly by, practice makes perfect.

There have always been lucky amateurs on the street at breaking-news events. Think Zapruder and JFK. Think Kent State and the dead student. Think the Miracle on the Hudson.

A keen sense of observation and a talent for storytelling is instinctive in many of us. Now the odds of getting lucky have gone up exponentially. And that's a good thing, as Martha Stewart would say. Should mean hundreds more significant images that help us interpret our world every year. Lucky us.

It has to be acknowledged that publication business models are evolving as technology advances. Time magazine recently paid $30 for a stock photograph on the cover to illustrate a story about "The New Frugality." Photographic technique doesn't matter so much in this digital world. So the line between an ambitious amateur and a reliable pro gets fuzzier and pictures less expensive. The media expands. New media don't kill old media, they add depth and breadth. News sites do audio and video, providing a more complete experience. The man on the street becomes the additional eyes and ears of the community. The news report grows.

Still, the unseen work of journalism has always been about more than capturing the story. It's also about making sense of the newsgathering, about powerful editing and engaging presentation. It's like the difference between a chef and a home cook. One is highly trained and probably more consistently excellent in rarefied ways. Both feed us well.

Since the days of the camera obscura, the pursuit of memorable imagery has been about obsession. Persistence. Brilliant seeing. Photographers understand what it feels like to be caught in the space between a moment and an observation.

If you measure the value of an image by how much you can get for it on the open market, this evolution taking place might look like a devaluation. But it's really not about the money.

Real pros would do it anyway. They want to see the world and show it to you.

Another year has passed into history. These are some fine images from 2009 by the photographers who work at The Seattle Times.

— The editors

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