Originally published Sunday, October 12, 2008 at 12:00 AM
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Fall Home Design 2008
Designed to host parties and art, every part is pretty
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
Suzanne Sheppard "had a vision for a large, personal suite and obviously wanted to take advantage of the view," says architect Jonathan Hartung. "It's a suite that occupies all of the second floor and takes advantage of that view. There is lots of glass, big views, lots of transparency. It's almost like a big tent, a canopy."
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The fireplace in the master suite "is a little private space where if Suzanne felt like curling up with a book she would have that opportunity," says Hartung. "The house was designed pretty personally for her, with a lot of input from her."
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The goal in the living room, presided over by Sheppard's cat Skip, "was to create a space that was very comfortable, nicely proportioned and cozy," Hartung says. "The ceilings are 9 feet, not horribly low, but not super tall, either. It works for small gatherings and large gatherings because it's linked to the kitchen."
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
This backyard pavilion was built as an extention of the garden level rooms.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The wine cellar ''was seen as a focal point,'' Hartung says. ''We put it behind glass so you can see the bottles, like artwork. It's a little jewel. And it gets the light back there. It is a garden level after all.'' ''Garden level'' here means daylight basement. However, Sheppard abhors the latter term, and anyone caught using it was fined $1 for each misuse. The architect paid in advance. The bird encaustics are by Judith Kindler.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
Sheppard keeps this painting of Audrey Hepburn on her bathroom vanity for inspiration. ''Audrey Hepburn is so beautiful,'' Sheppard says.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
The indoor-outdoor experience of the Sheppard house goes from granite terrace to water's-edge terrace and dock, where a fleet of kayaks is ready to serve. Sheppard considers the nearby Interstate 90 bridge beautiful, another piece of art. "It was pretty carefully oriented away from the houses to the south, to capture that feeling of being alone on the lake," Hartung says.
BENJAMIN BENSCHNEIDER / THE SEATTLE TIMES
"The big move up the house is through that stair," Hartung says. "As you come into the house, that was the place where we made a two-story volume. The stair railing enclosure becomes a bit of a physical presence in the space, but it's light and transparent, and it doubles as a support for the stair itself. It also casts very interesting shadows at certain times of the day." The art is by Deborah Putnoi.
David Ohashi of D.M. Ohashi Landscape Services planned the backyard pavilion as an extension of the garden-level rooms but with sky as ceiling.
"The waterfalls are visible from all levels of the house, as well as providing some toning-down of the freeway.
"The black-granite steps traverse the water feature to the bench, 12-foot black-granite stone from Minnesota, itself a sculptural piece. It represents a destination point of respite. You can walk across the water to this bench, and you can sit either way, toward the water or toward the house."
The pavilion also "created private spaces for each of the guest rooms on the garden level."
www.ohashilandscape.com;www.shksarchitects.com
We're taking tea and staring out at the icy blue water with sky to match. Behind us on the living-room wall are three Mattie Iverson paintings; icy blue water with sky to match.
"A great house is an expression of beauty. It's peaceful," says Suzanne Sheppard, in general. "You can get your work done, entertain. And I've done so much entertaining here," she says, in particular.
"At first I was going to sell it after it was finished, but I started to get emotional about this house," she says, admitting she never thought she could be budged from Broadmoor. But Sheppard is one of those people who is passionate about houses. How could she not fall in love?
"Let's go upstairs to the master bedroom, because that's the prettiest place."
Upstairs is solely reserved for Sheppard's shades-of-white master suite. And, sure enough, the view, from the Seattle shore of Lake Washington, is even more grand. A private perch from all three floors with a dock wading in the lake.
"You know, I'm a water person. I have to be near water," she says. "I'm a rower. My shell's down the street at the public dock."
By day Sheppard is co-owner of Executive Conversation, a company that conducts corporate sales training. She also owns a shop filled with finery in Madrona called Décor. "One of the things I love about the house was that the people who built it loved it," Sheppard says. "I had Christmas parties for them. I gave them bonuses. And when I told them I was going to move in, they were jazzed."
Cars rush along nearby Interstate 90, but we don't hear them.
"Another thing I found I absolutely loved about this house is the bridge, the architectural element of it," Sheppard says. "At Christmas the house was all lit up at night. It was my gift to people coming across. Fourth of July I had the back all in banners."
Jonathan Hartung, the "H" in SHKS Architects, designed this home that just could not be sold: a contemporary with tall windows and roof lines that reach for the light east and west: 4,600 square feet with four bedrooms, five baths, a wine cellar and media room at shore's edge. It was 30 months "from purchase to party," as Sheppard puts it. She moved in June 2007.
"When they gave me this design there was only one change," Sheppard says. "They know how I live and they know what I love. And that cuts the design time. So there's a value in finding an architect for life."
"Then the contractor, Frank Firmani (president) of Charter Construction, recommended David Ohashi for the landscaping, and now I have a landscaper for life, too." Ohashi, of D.M. Ohashi Landscape Services, created a grand backyard stone pavilion and waterfalls in front and back as traffic-noise reducers.
For the interiors, Sheppard chose a glass, a stone and a ceramic for every bathroom. Her interior designer, Robert Emil Arnesen, did the rest. "I never even had to pick a paint color," she says.
Inside is plenty of space for another of Sheppard's passions: art. She is a member of the Poncho Art Auction Committee and serves on the board of trustees at Pratt Fine Arts Center. Dangerous affiliations for someone so drawn to beauty and design. Judith Kindler's bird encaustics in the stairwell, a series of blocks by Juan Alonzo in the bathroom, a Jacqui Beck in the guest bathroom. And on it goes.
"My parents bought one couch and one living-room table. That was it. But furniture, and I believe the same with art, is like a wardrobe. I've loved it, but I rotate it out."
No room in Sheppard's home goes unloved. Not even the garage.
"For the past 10 years I have tiled my garage floors. People think I'm nuts. Then I put in stainless Ikea cabinets, a black granite countertop, and I have art in there, too."
Rebecca Teagarden is assistant editor of Pacific Northwest magazine. Benjamin Benschneider is a magazine staff photographer.
Copyright © 2008 The Seattle Times Company
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