Originally published Monday, December 4, 2006 at 12:00 AM
When mere words fail, there's music
Five years after Enron Corp. filed for bankruptcy, "Enron — The Musical" opened here Friday, 2 1/2 hours of toe-tapping songs immortalizing...
Los Angeles Times
HOUSTON — Five years after Enron Corp. filed for bankruptcy, "Enron — The Musical" opened here Friday, 2 1/2 hours of toe-tapping songs immortalizing the collapse of the seventh-largest company in America.
Although the Enron debacle is a sensitive subject in a city still stinging from lost jobs and retirement savings, the show's author, Mark Fraser, is gambling that at this point Houstonians are ready to laugh a little. "We're making fun of what happened, but it's also in part a satire about greed and corruption," he said.
Some theatergoers Friday night said they bought the $25 tickets to the show on the strength of its name alone. "I guess it's a little perverted to come here and laugh at something like Enron, but at some point it's therapeutic," said Cathy Henderson, a fundraiser for a nonprofit organization.
Now that the top three Enron executives have been tried and convicted, "The worst is behind us," she said. "After all the trials, it's cathartic to try to find some humor in this."
The idea for an Enron musical grew out of some comedy sketches Fraser wrote for a show at the Houston Press Club. Four years later, he had a 160-page script and a story line set to Broadway tunes.
The opening scene shows employees of the Arthur Andersen accounting firm destroying evidence while singing "The Sound of Shredding" to the tune of "The Sound of Music." Much later, the character of Ken Lay, Enron's late founder, sings "Get Me to the Court on Time" ("I'm getting indicted in the morning ... "). An unrepentant Jeffrey Skilling, Enron's one-time chief executive, asks "How Do You Solve a Problem Like Jeff Skilling?" And so on.
Fraser, who works by day as a manufacturer's representative for a janitorial-supply company, sank $25,000 of his savings into the production. While money was no object for freewheeling Enron executives, the musical chronicling their excesses runs on a budget. For instance, with six performances scheduled over two weeks, elaborate sets weren't in the cards: Enron's corporate demise is played out on the set of the theater's current production, a children's show called "Santa's Magic Timepiece."
Six local actors play dozens of parts in scenes that trace the history of Enron from the early years to its 2001 collapse. Fraser said he spent about 100 hours on "Prime Time for Skilling" (sung to "Springtime for Hitler") to make sure that it — like the rest of the play — was historically accurate. "Not everyone in Houston knows everything about Enron," he said. "This is something they can look at, and laugh and learn."
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