Originally published August 19, 2010 at 3:03 PM | Page modified August 19, 2010 at 3:18 PM
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Movie review
'Nanny McPhee Returns': Emma Thompson is back to work her magic
"Nanny McPhee Returns," a charming family film written by Emma Thompson (who also plays the nanny) and directed by Susanna White, takes us to World War II-era England, perhaps half a century later than the setting of the previous film, "Nanny McPhee."
Seattle Times movie critic
'Nanny McPhee Returns,' with Emma Thompson, Maggie Gyllenhaal, Rhys Ifans, Maggie Smith, Asa Butterfield, Lil Woods, Oscar Steer, Rosie Taylor-Ritson, Eros Vlahos. Directed by Susanna White, from a screenplay by Thompson, based on the "Nurse Matilda" character created by Christianna Brand. 108 minutes. Rated PG for rude humor, some language and mild thematic elements. Several theaters.
MOVIE REVIEW 
Turns out that Nanny McPhee, that magical domestic played by Emma Thompson, can time-travel — and who would doubt it? "Nanny McPhee Returns," a charming family film written by Thompson and directed by Susanna White, takes us to World War II-era England, perhaps half a century later than the setting of the previous film, "Nanny McPhee." It's a ripe era for children's literature; I could swear, in one London scene, that we got a glimpse of the Pevensies from C.S. Lewis' "The Lion, the Witch and the Wardrobe."
Perhaps they'd have enjoyed having a magic nanny, too. As in the previous film, Nanny McPhee is dispatched to help a family in desperate need of order. Isabel Green (Maggie Gyllenhaal) lives with her three children on a rundown family farm in the countryside. Her husband, Rory, is fighting overseas, and poor Isabel must cope with a shiftless brother-in-law (Rhys Ifans) determined to make her sell the farm, a part-time job with a comically absent-minded shopkeeper (Maggie Smith), and the arrival of two more children: posh cousins Cyril (Eros Vlahos) and Celia (Rosie Taylor-Ritson), sent from London for safety but creating havoc as soon as they arrive.
Nanny McPhee, who introduces herself to a surprised Isabel as an "army nanny," soon sorts things out nicely with a few raps of her ever- present stick (and some help from an ever-belching bird), gradually endearing herself to the family as she does so. She's no scene-stealing Mary Poppins, but very much a background figure, quietly using magic to help the children realize what's right. And Thompson keeps the character still and mysterious, hiding her secrets behind that snaggletoothed half-smile.
Gyllenhaal, though an unusual casting choice in this very British movie, is utterly charming; her perpetually smiling Isabel wafts through the disorder of her life as if she's floating in some floral-scented haven above it. She is, nonetheless, a proper British mum: In crisis, she immediately announces that she's putting the kettle on. Toss in five personality-laden children, all equipped with excellent verbal skills courtesy of Thompson ("You look like a banana"; "You look like an unraveled toilet roll"), a visiting baby elephant, and some synchronized-swimming pigs seemingly fresh from a Busby Berkeley movie, and you've got a delightful way to amuse kids needing distraction before school starts. "I had no idea pigs could swim so stylishly!" enthuses Celia. May Nanny McPhee return again, very soon.
Moira Macdonald: 206-464-2725 or mmacdonald@seattletimes.com
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