Originally published June 25, 2009 at 3:14 PM | Page modified June 25, 2009 at 3:17 PM
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Movie review
'Treeless Mountain': a drama of abandonment, resilience
"Treeless Mountain," a South Korean movie about two very young sisters searching for home, is heartbreaking, hopeful. Review by Seattle Times movie critic Moira Macdonald.
Seattle Times movie critic
"Treeless Mountain," with Hee Yeon Kim, Song Hee Kim, Soo Ah Lee, Mi Hyang Kim. Written and directed by So Yong Kim. 89 minutes. Not rated. In Korean with English subtitles. Northwest Film Forum, through Thursday.
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A 6-year-old girl sits on a bus, staring out the window as it passes unfamiliar landmarks. In the manner of children everywhere, she exhales on the glass, then draws shapes and words with a finger. Among them is the name of the aunt she and her 4-year-old sister are headed to visit, far from their home in Seoul, South Korea; a stranger, with whom the girls will be left while their mother is away.
Korean/American filmmaker So Yong Kim's lovely drama "Treeless Mountain" is the story of these two soft-faced little girls: Jin (Hee Yeon Kim), the elder, and Bin (Song Hee Kim), the younger. And it is the story, in many ways, of the difference between being 6 and being 4. Jin is already accustomed to being responsible, to helping take care of her sister while their single mother is busy. Now, she must take even more responsibility for the more carefree Bin in the face of their aunt's indifference, even as she faces her own misery. This child, who seems so mature, misses her mother terribly but does not speak of it; the world weighs heavily on her small shoulders.
So Yong Kim has a real gift for putting children at ease before the camera, and her two very young actresses (who are not sisters off-screen) reward her with performances of heartbreaking realism: Jin's quiet misery seems to come from somewhere deep within. And the filmmaker, often putting her camera at child's-eye-view, finds just the right visual details for telling a story with few words: Bin's shabby princess dress (which she insists on wearing all the time) hanging limply on a clothesline; long shots of clouds and sky, reminiscent of the way time moves more slowly for the young; the way Bin walks in Jin's slightly bigger shadow.
"Treeless Mountain" is reminiscent of another story of neglected children, Hirokazu Kore-eda's haunting "Nobody Knows," but is ultimately much more hopeful: Eventually, the sisters have found a better place and begin to smile again, and Jin seems just a little older and infinitely wiser. At the end, the girls sing about wanting to climb a mountain. They don't realize — but we do — that they already have.
Moira Macdonald: 206-464-2725 or mmacdonald@seattletimes.com
Copyright © 2009 The Seattle Times Company
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