Originally published Saturday, March 6, 2010 at 7:02 PM
Northwest Living
It took a team to turn an empty condo into something special
An empty condo in Seattle's Millennium Tower is made special, and very personal, thanks to a team of architect, contractor, local artisans and a sophisticated pair of owners. Their efforts produced a sleek, stylish home featuring art glass, beech finishes, an elegantly framed view of the city and more.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
Greg's office has no window per se, but it is open to a hall and a large outdoor patio, which provides plenty of natural light. With limestone floors and wood and glass walls, the room should echo, but the silk ceiling keeps the room surprisingly quiet. With space for two work stations, the office appears tidy thanks to outlet strips, pop-up ports, built-in contraptions for suspending computer towers and grommets in the floor for cords.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
Greg and Karen wanted "something that was fairly open, had a nice flow to it, that was light without being all white." A swinging panel divides the master suite from the rest of the unit and, when left open, the home has a light-filled, loft-like feel. Here, one of the couple's two ocicats gazes out at the 190-square-foot patio, which has mechanized screens to keep the cats safe.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
Floor-to-ceiling panels of book-matched beech cover the walls throughout the unit. Giant hinges allow the first panel to swing smoothly to close off the master suite. The entire condominium was paneled with one tree, so to avoid marring it, art is hung from custom metal hooks hanging from railings installed above every panel.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
Custom art-glass panels separate Greg's office from the dining room and entrance hall. The panels at the top are more translucent than the ones at the bottom to maximize the amount of light coming into the office and minimize visibility of what's under Greg's desk.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
The wood panel above and to the right of the fireplace slides to access switches for the fireplace, lights, window shades, a touch panel for the audio-visual system and DVD storage. The unit's design cleverly masks a large central flue by creating a wall for the living room with art glass, metalwork and a gas fireplace on this side (the kitchen is on the other).
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
The kitchen is visible from the dining room and front hall, so it was important to keep it simple. The upper cabinets are recessed, and although the space below them was lost, the design allows for more counter space and makes the kitchen look larger. Beech panels hide a refrigerator/freezer, wine refrigerator and dishwasher; the countertops are of Pietra di Cardoso. The fan for the stovetop sits two floors up, on the roof.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
An oil painting by June Stratton hangs above a custom built-in bed made of sycamore by Park Avenue Construction.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
The same limestone that covers the floors rises up to the ceiling in the master bath. Custom art glass lets light into the bathroom from the master bedroom without sacrificing privacy. Because the giant glass wall encloses the shower, the bathroom is actually quite narrow, which bought a more spacious laundry room on the other side. The pocket door at the end of the room leads to a separate toilet.
BENJAMIN BENSCHNEIDER/THE SEATTLE TIMES
The condominium is suffused with light, thanks to this picture-perfect view of the Smith Tower and Qwest and Safeco fields (and Mount Rainier when it cooperates) from the 19th floor. And because many of the surrounding buildings are designated as historic, the view is protected.
Picking the right artist for the job
John Blackham of Krekow Jennings, Inc. (www.krekowjennings.com) notes that KJ tries to match the sensibilities of each artist to particular projects. Company master carpenter Roan Van Doan, for instance, installed the giant hinges on the doors that separate the master suite from the rest of the unit, as well as "many of the other tricky elements on the project."
Key project subcontractors included:
Peter David (www.peterdavidstudio.com), glass artist, created panels with differing levels of opacity.
Michael Rydinski (www.decorativemetalarts.com), metal worker, fabricated all the metal in the condo, including the kitchen vent, office "structure," swing arms for televisions and hinges.
Sheryl Andrist (www.she-metal.com), metal finisher, hand-finished all of Rydinski's work with a blackened patina.
A team from Park Avenue Construction (206-783-3693) fabricated and installed the cabinetry, as well as the beech wall panels. Sadly, Dave Scarlett, who led this project's team, died last winter.
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GREG AND Karen's condominium truly reflects its owners: The atmosphere is calm and sophisticated, yet comfortable and inviting. Their home feels wide-open and perfect for entertaining, but there are spaces for Greg and spaces for Karen, and the master suite can be closed off so completely from the rest of the unit that it becomes almost invisible. Decorated in subtle warm tones of pale gold, the very personal palette even dictates the color of the limestone floors and the handcrafted opaque art-glass walls, and the choice of sycamore and beech for the paneling and cabinetry. That it is so perfect for them is a testament to good communication.
When Greg and Karen first visited the unit in Seattle's Millennium Tower, it was an empty shell. They saw potential in all the space it offered (2,300 square feet) and they loved the heart-stopping views of the Smith Tower and Mount Rainier. But the couple wanted to be sure they could have everything they wanted before closing on it. So they decided to interview architects and contractors who had already worked in the building, and then hire them together.
After an interview process that included a walk-through of the space, they went with their gut and chose Weinstein A/U as architect and Krekow Jennings as contractor. From their first meeting, Greg and Karen felt confident that Weinstein would design a condo that felt like home, whether or not it turned out to be the kind of project that "goes into a book." And Karen remembers they chose Krekow Jennings because "right from the start, we felt like we were going to have a really good relationship."
John Blackham, who was the couple's initial contact with Krekow Jennings, says his lasting impression of this project is one of real collaboration and an "evolution of design," which he credits to Greg and Karen for having a "fundamental level of trust" in the people they hired. That set a positive tone and ensured honest communication.
Richard Yancy began the project on the Weinstein side and worked with Matt Aalfs who took it over when Yancy left Seattle. Aalfs calls Greg and Karen "very sophisticated clients." They had built before and knew what they wanted. As a result, the architects developed a concept that the clients bought into right away. Aalfs says they understood that a custom project involves a great deal of reinvention, some risk and a bit of uncertainty.
In the end, the decision to hire both the architect and contractor at the same time, even before the condo was purchased, was the right one. All agree.
Leora Y. Bloom writes about beautiful homes in and around Seattle. Her e-mail is leorabakes@hotmail.com.
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