"The Nine's" swift countdown to oblivion

HOLLYWOOD — Hank Steinberg is trying to keep the faith. But it's tough to wage war against doubt when the show you've poured the past 18 months of your life into has disappeared from the TV schedule and no one knows when it's coming back.

Steinberg is executive producer of "The Nine," ABC's drama that was supposed to have been one of the big hits of the fall season. It was the sort of project that was seemingly blessed from the get-go. Critics loved the pilot, a tense thriller about hostages rescued from a 52-hour bank heist who emerge as a close-knit but emotionally battered group. Steinberg, moreover, clearly knew how to make a hit show; his missing-persons drama "Without a Trace" is in its fifth season on CBS. The large ensemble was headed by veteran TV actor Tim Daly ("Wings"), who played a heroic cop with a troubled past. And to help ensure that viewers at least checked out "The Nine," the network bestowed a golden Wednesday slot after the hit drama "Lost."

But "The Nine" tanked. This wasn't a case of a show starting out strong, as is common, and then having the ratings slowly waft downward. The relatively low numbers for the "Nine" pilot — 11.9 million total viewers, according to Nielsen Media Research — sent jaws dropping all over town. The network glumly took note as the show steadily sunk in the ratings, week after week, and finally yanked. The last episode, on Nov. 22, was watched by a mere 4.1 million.

Some outlets have reported — erroneously — that the series is officially canceled. The network says it has every intention of a return for "The Nine." ABC executives are looking at running the remaining six unaired episodes starting in March or April, which would give the show's small regiment of loyal fans a chance to tie up some loose plot strands. But the network didn't order any new episodes.

Of course, TV history is filled with examples of acclaimed shows that struggled to find an audience, such as NBC's crime drama "Boomtown" and ABC's family show "Once and Again." But "The Nine" fell further, and faster, than most.

The most vexing question remains: What the heck happened? How did such a promising show whiff?

Laura Caraccioli-Davis, executive vice president at Chicago ad firm Starcom, dubbed the pilot "the most riveting piece of TV I'd seen in a long time." But in retrospect, she added, that first episode may have proved too self-contained for many viewers who like episodic dramas. "It seemed almost too good for television, almost like a movie," she said.

She also wonders whether viewers were looking for sheer escapism this fall, as evidenced by the strong numbers for NBC's "Heroes." "Maybe 'The Nine' was a little too real," she said. It's also possible that viewers mistook the show for a heist thriller rather than what the producers intended, a twisty character drama about a group of friends getting a second whack at life after a near-death experience.

Steinberg, for his part, was initially pleased to have his show follow "Lost," but now wonders whether it would work better paired with a "softer" character drama such as "Grey's Anatomy."

But ultimately, theories that presume to explain failure are often no more satisfying than those aimed at illuminating success. "I'm sure there are 20 factors" behind "The Nine's" ratings fizzle, Steinberg said.

Not that any of that helps Steinberg, of course, who's struggling to stay positive.

"I always say the show is about second chances," he said. "Hopefully, we'll get ours."