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Friday, November 26, 2004 - Page updated at 12:00 A.M.
Visual Arts By Sheila Farr
The magic realism of Eduardo Calderón's photographs doesn't come from tricks of processing or cropping. He gives us just what he sees on his ramblings in exotic places. The people in his black-and-white silver gelatin prints, on display at Photographic Center Northwest, seem to live someplace outside of time, haunted by ghosts. He gets those mysterious overlays of imagery by shooting reflections, in water or glass, photographs within photographs. It's sometimes impossible to untangle them and figure out what is real. The succinctly composed pictures are full of visual echoes. Calderón, 55, works in a tradition of surrealism, but his version is found rather than artificially created. The scene in "Paro General" looks like the aftermath of some horrible carnage but turns out to be the broken bodies of dummies scattered inexplicably in the middle of a street, who knows where. In "Atelier," a man sits on a fence, next to a brick post, with what appears to be a large photographic print in front of him showing a repeat of the same scene.
Even in his more personal work, Calderón shoots humans and their behavior as if they were a strange species observed in their habitat to be documented and cataloged. Sheila Farr: sfarr@seattletimes.com
Copyright © 2004 The Seattle Times Company
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