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Wednesday, March 03, 2004 - Page updated at 12:00 A.M.
Snohomish County entertainment By Diane Wright
EDMONDS Helen Wilkins felt a sense of obligation. Since John Wilkins' death last year, she had wanted to honor her late husband and longtime co- director of the Olympic Ballet Theatre. "I felt I would probably need to create something for him," she said. "I didn't know when or where." "Requiem," the dance she created to honor her husband, is called by Wilkins a "voice from us to John." It premiered Jan. 31, the anniversary of her husband's death, to a packed house at a benefit for the Edmonds Center for the Arts. It will get a reprise Friday in a concert of modern dance and ballet works at the center.
For the performers, dancing at the arts center rather than at the ballet's studio is a bonus. "The dancers have been begging me to get back in a theater," Wilkins said. The Olympic Ballet's company performs in theaters several times a year, but the setting was especially important because this performance will be critiqued by Jane Miller Gifford of Regional Dance America, which does critiques around the country every year. The feedback helps dance companies grow artistically. Gifford also will select which piece Olympic will perform at the Regional Dance America festival in Arizona in May. The performance will feature several works by different choreographers. Daniel Wilkins, the couple's middle son and the company's associate artistic director, will present an excerpt from "Religilistic," a contemporary dance piece to debut in its entirety May 21 and 22. Also on Friday's program is a work by faculty member Tatiana Cater and Olympic Ballet student Lindsay Bickford. Two guest artists from Spectrum Dance Theater of Seattle also will dance: David Alewine and Julia Wilkins, the Wilkinses' daughter, will perform a work by Donald Byrd, Spectrum's artistic director. Helen Wilkins performed in the Banff School of Fine Arts Festival in Canada before going to New York and dancing with a touring company called Ballet Concepts. After a stint in Europe, she came back to the U.S. She met her future husband in a ballet class in New York City in 1968. At the start of choreographing "Requiem," Wilkins had thought about asking their son Daniel to dance. "But I realized that as soon as you put a man on the stage, it's very difficult not to see that man as John," she said. "Then you're having somebody dance a life instead of a tribute to a life." Diane Wright: 425-745-7815 or dwright@seattletimes.com
Copyright © 2004 The Seattle Times Company More Entertainment & the Arts headlines
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