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Monday, December 15, 2003 - Page updated at 11:40 A.M.
Book Review By Skye K. Moody
In a lopsided Solomonic split, Jude, a self-avowed feminist, has taken the house, the children, the savings accounts and half of everything Cy earns. And she's taken more: a lover, Lill, who moves into the family home with Jude and the children, sparking painful rebellion in the children and bigoted reactionary reflexes from neighbors, social workers and even family. A bewildered Cy attends a men's group and wrestles with the unacceptable reality: He cannot be a good parent when seeing his children only four days each month. As the children's escalating rebellions force his hand, Cy halfheartedly heeds his parasitical hippie brother's unsolicited advice: Fight for custody of the children.
One critical element seemed missing in addressing this familiar theme of marital discord and dissolution: While Cyrus and Jude's children find numerous, often destructive outlets for venting rage at their parents' split, in contrast, the three adults, Cyrus, Jude and Lill, seem for the most part dispassionate and emotionally congested. Maybe they were, but Cyrus' one moment of palpable fury, speeding north to the Canadian border in a fog of margaritas and rum-soaked cigars, came early in the story, leaving the impression of more scenes like this to come. They didn't, and even this single example of adult rage was tempered by his keeping to within 5 or 10 miles of the speed limit. Still, emotional venting isn't the only effective dramatic device, and Keegan has artfully depicted a shy, compassionate father navigating personal trauma in a culturally chaotic era. Good and gentle spouses will relate to Cy Stapleton, and other types might be inspired.
Copyright © 2003 The Seattle Times Company More Entertainment & the Arts headlines
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