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Sunday, January 04, 2004 - Page updated at 12:00 A.M.
Books in Brief
"The Shadow King," set in the 17th century, feels more like a link in the trilogy than its own novel. Balthasar, the only child of Elizabeth and Pelagius' secret marriage, knows his odd ancestry, but he's determined to make a nice, quiet life for himself as a doctor. Living as a simple bourgeois is no easy business for a black man and a secret king to boot. The book is peppered with real-life characters, and early on, Balthasar has a disastrous encounter with the English writer (and sometime spy) Aphra Behn. Thanks to her meddling, he loses all written evidence of his royal heritage. In ignominy, he studies medicine in his native Holland, moves to London to practice surgery, marries a nice English girl, moves to Barbados, and returns finally to London for one last meeting with Behn.
She glories in detail right from the opening scene, where Balthasar watches as his anatomy instructor carves up a dead pregnant woman's uterus. We also visit a London theater, get a primer on Barbadian economics and learn all about "molly-houses," private clubs in London "where men with an interest in their own sex discreetly foregathered." Stevenson wisely trusts in the pleasures of historical minutiae, and we make our way smoothly, if a little slowly, over the narrative bridge to the next and final novel. Claire Dederer
Because he strives for accuracy, Simpson struggles sometimes with his subject's tendency to exaggerate and invent. He tells the story of Adams' first book signing as it's usually told the author abandoning his taxi because of the huge crowds blocks from the store where it was to take place, the book's appearance the next day at No. 1 on the London "Sunday Times" best-sellers list, and the author's comparison of the event to "having an orgasm with no foreplay." "It's a wonderful story ... " notes Simpson ruefully: "It would be even better if it was true." When dealing with a couple of incidents which led to lawsuits, Simpson gamely defends Adams, insisting his inaccuracies were unintentional, his insensitivity to colleagues' egos balanced by lifelong loyalty.
Creator of the wildly successful "The Hitchhiker's Guide to the Galaxy" and the other four books in that "trilogy," Douglas Adams loomed large on the landscape of 20th-century popular fiction. He was also a physically large man, an atheist and a lifelong Beatles fan. M.J. Simpson's "Hitchhiker: A Biography of Douglas Adams" covers these and other personal matters, while also giving a step-by-ambitious-step account of Adams' professional career. Interspersed with topical "interludes," the book's 42 chronological chapters are mainly composed of (footnoted) excerpts from hundreds of interviews. For readers unfamiliar with Britishisms, there will be a few opaque references. But Simpson provides helpful guides to public figures less well-known to us colonials, and to the conventions of Britain's educational system and its radio and television programs. There's also a foreword by Neil Gaiman, author of "Don't Panic," an earlier Adams biography that comes nowhere near the standard of painstakingly factual detail Simpson upholds in "Hitchhiker." Nisi Shawl
Roiphe is a member in good standing of The Church of What's Happening Now, whether it is feminism, the defense of neglected, overworked, under-appreciated mothers or a thoughtful examination of the question: "Why marriage?"
In her latest novel, "Secrets of the City," she has tried, as have so many artists, playwrights and authors of late, to come to terms with the aftermath of 9-11, to forge a response to terrorism, to a realization of our collective vulnerability and to the general unmanageability of urban life. The book is not really a novel: It is a pastiche of episodic reports on all manner of goings-on in an unnamed city that is New York.
Is this a treatment for an episode of "Law & Order?" Ripped from the headlines! Where is Jerry Orbach when you need him? Valerie Ryan
Copyright © 2004 The Seattle Times Company
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