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Thursday, September 15, 2005 - Page updated at 10:01 AM

Fall arts guide
The fall arts season begins this month! To help you plan, our critics share their picks for the season and spotlight rising stars.
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Fall Arts Guide

Critic's picks: Theater

Seattle Times theater critic

"The King Stag." Curious where new Seattle Rep artistic director David Esbjornson is taking the city's flagship playhouse? So are we. Carlo Gozzi's fantasy play about a magical kingdom, as directed and co-translated by Andrei Belgrader, is the first mainstage show under Esbjornson's watch, and should provide some tantalizing clues. Sept. 24-Oct. 22, Seattle Repertory Theatre, 206-443-2222 or www.seattlerep.org.

"The Grapes of Wrath." The searing John Steinbeck novel, about a poor but proud family trying to escape the Dust Bowl in the turbulent 1930s, gets an airing in Frank Galati's Tony Award-winning dramatic adaptation. After years toiling mainly at the youth-oriented company she heads (Seattle Children's Theatre), Linda Hartzell stages a classic American story that transcends age barriers. Oct. 7-Nov. 13, Intiman Theatre, 206-269-1900 or www.intiman.org.

ONE TO WATCH

Sheila Daniels, director

Sheila Daniels doesn't fret much about her career.

Well, we do. We want to see this smart, gifted and increasingly adroit director get the nod to start staging shows in Seattle's bigger playhouses — while keeping her firm foothold in the fringe scene, natch.

This year, Daniels (the former artistic head of Theater Schmeater) already has dispatched a bracing outdoor "Macbeth" for Wooden O, and scrubbed the mold off the 1930s agit-prop classic "Waiting for Lefty" at Capitol Hill Arts Center.

And next month, the Cornish College instructor mounts a Cornish student version of the vivid Jose Rivera play, "Marisol."

A Capitol Hill resident, married to actor Charles Leggett, Daniels has lots cooking for 2006, too, including a new piece with her own Baba Yaga company, and a CHAC mounting of "God's Country," the docudrama by Seattle playwright Steven Dietz, about an Idaho white-supremacist group's 1984 murder of a liberal radio commentator.

"Every now and then I wring my hands a little and think, my career, my career," Daniels confesses. "But because I make a good living teaching, I'm in a great position to only do projects I really care about. And so far they're ones that find a home on the fringe." "Marisol" runs Oct. 20-23, Cornish College of the Arts, 206-325-6500 or www.cornish.edu.

— Misha Berson

"Flight." Charlayne Woodard has long impressed Seattle audiences with her cycle of self-acted solo plays, starting with "Pretty Fire." Now she's stepping aside to let other performers do the honors, in her major ensemble play about a community of African-American slaves in the antebellum South. ACT Theatre presents the Seattle premiere, staged by the sure-handed Valerie Curtis-Newton. Oct. 14-Nov. 13, ACT Theatre, 206-292-7676 or www.acttheatre.org.

"Sweeney Todd." This ground-breaking Stephen Sondheim-Hugh Wheeler musical zeroes in on a Victorian-era "demon barber" who settles old scores with razor in hand. Gruesome, funny and chillingly brilliant, it will receive a rare local revival with full orchestra at the 5th Avenue Theatre and should draw Sondheim addicts from hither and yon. Oct. 25-Nov. 13, 5th Avenue Theatre, 206-292-ARTS or www.5thavenuetheatre.org.

"Shoppers Carried by Escalators Into the Flames." Labeled a "Restoration comedy set in a trailer park," this is the second work in a play trilogy by sardonic novelist-dramatist Denis Johnson to reach the tiny Theater Schmeater stage this year. The first ("Hellhound on My Trial") exhibited Johnson's unique theatrical voice, and whetted the appetite for an installment. Nov. 3-Dec. 10, Theater Schmeater, 206-325-6500 or www.schmeater.org.

Cheap thrills

Nearly every theater in town has two policies penny-pinchers should know about. One is the pay-what-you-can show during a run, which allows anyone to name their price for a ticket. The other is "rush" seating, sometimes restricted to students or seniors but often open to anybody, available an hour before curtain. Just remember: Call ahead to be sure of the company's policy, and get in line for the cheap tix as early as possible.

Copyright © 2005 The Seattle Times Company


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